Thoughts and Suggestions for Improving the Musical Expressiveness of Cello Performance
本文信息
DOI: https://doi.org/10.70088/wr80gz92
责任主编: Li Wang
基金项目: NO.
摘要
The cello, as an important instrument in the Western classical music system, offers the performer a broad space for emotional interpretation with its rich and deep timbre characteristics. With the evolution of music education concepts, contemporary cello performance has broken through the shackles of simple technical competition and turned to the in-depth exploration of the essence of music. The expressiveness bottleneck that is widespread in the current professional field not only stems from the excessive emphasis on technical elements in the traditional training system, but also reflects the lack of performers' ability to deconstruct musical texts. In the context of the diversified aesthetic demands of audiences in the digital age, how to break through the barriers of technological appearances and achieve a deep interaction between musical language and emotional resonance has become an urgent artistic issue to be addressed. This article starts from performance practice and combines the theories of music aesthetics and cognitive psychology to construct multi-dimensional paths for enhancing musical expressiveness.
关键词
cello, musical expressiveness, thoughts and suggestions
参考文献
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2. S. H. Lee, S. Carey, R. Dubey, and R. Matz, “Intervention program in college instrumental musicians, with kinematics analysis of cello and flute playing: A combined program of yogic breathing and muscle strengthening-flexibility exercises,” *Medical problems of performing artists*, vol. 27, no. 2, pp. 85-94, 2012, doi: 10.21091/mppa.2012.2016.
3. A. Richardson, *Exploring the Expressive World of Early 20th-Century Cello Music* (Doctoral dissertation), 2023.
4. M. Barthet, R. Kronland-Martinet, and S. Stadler, “Improving Centauro Expressive Dynamics varying brightness shaping.” In *International symposium on computer music modeling and retrieval*, August, 2007, pp. 313-336, doi: 10.1007/978-3-540-85035-9_22.
5. C. Utz, “TimeSpace Experience in Works for Solo Cello by Lachenmann, Xenakis and Ferneyhough: a Performance Sensitive Approach to Morphosyntactic Musical Analysis,” *Music Analysis*, vol. 36, no. 2, pp. 216-256, 2017, doi: 10.1111/musa.12076.
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